Submit a Film

At Omeleto, we're passionate about getting amazing films seen by the world's largest audience.

You've put countless hours into your film -- and you deserve an audience that appreciates it. Sure, you can submit it to film festivals, but fees add up and being selected can often be a political affair. Or you can throw it online, but it's hard to stand out from the ocean of content.

That's where we come in.

We started Omeleto to help great films get seen by millions. We're YouTube and Facebook's #1 channel for films with over 3 million subscribers combined, reaching tens of million of viewers each month.

We can't guarantee everything will reach millions, but we have a decent track record.

If you're interested in being considered, please shoot us an email at submit [AT] omeleto [DOT] com with a link to your film. (Upload to WeTransfer, Google Drive, YouTube or Vimeo). Please mention any festival selections or awards.


We will NOT monetize your film. But we do request a fade in/out of our mark at the beginning and end of the film, and a watermark to deter theft. In some cases, unlicensed music can trigger a copyright claims from a record label. That means the record label will put ads on the film, with revenue going to them -- not us. If you're okay with that, so are we.

All submissions will get proper credit and links if accepted.

If you don't hear back from us within 14 days, unfortunately, your film was not selected.

Frequently Asked Questions

Are you monetizing off filmmakers?

No -- we don't run ads on films. Occassionally, you'll see ads due to copyright claims by third-parties. Sometimes, a filmmaker uses unlicensed music and the music rights holder adds a copyright claim, meaning ads show on the film with the revenue going to them -- not us. The record label gets paid, the filmmaker gets to use music they should have paid for, everyone's happy. We post with ads only if the filmmaker is okay with this arrangement.

So then what's the catch?

There's no catch. Most people don't get into filmmaking for the money, they do it for the passion. We're no differnet. We do it because we found it frustranting there wasn't one place for great short films. We thought there was a better way to get films seen -- both by connecting filmmakers to a global audience and film lovers who can't make it to film festivals. We're not an agent or a distributor or a middle man. We don't try to sign away your rights. We're a small operation that's just focused getting great films seen by millions. And so far, we're doing it. We'll figure out the rest later.

Our Story

We started Omeleto to solve a problem. Filmmakers spend a lot of time and money trying to make a film, then spend just as much trying to get it seen. Film festival can get costly -- registration fees add up, not to mention the cost of travel and attending. And that's if you get in -- being accepted is often political. Who does your agent know on the selection committee?

Then, after the circuit is done, you throw the film online. But as Sundance Programmer Mike Plante explains, "If you put your short online the good news is many people can watch it. But the real news is that 10 people will watch it -- even if you are the hottest thing. There is just so much stuff online. Putting something online just isn't enough."

There had to be a better way.

So we had this idea that short films are the ideal medium in the age of mobile devices. And that "mobile cinema" is going to be the next big thing. Consumers -- with ever-shortening attention spans -- can't watch a 90-minute feature on a phone. But they can watch a 12-minute short. Personal, bite-sized and premium -- ideal for a lunch break, train ride or bathroom break.

How often do you watch a film in a theater? Maybe once a week or month? Now, how often do you watch a video online. Probably several times daily.

We want to give independent filmmakers the reach that no festival can offer -- on a world stage for free. Conventional barriers to entry shouldn't stop great films from reaching millions who love them.


I was excited to work with Omeleto from an audience perspective. As a filmmaker, it's hard to get your film seen and with Omeleto I was certain that my film could reach an audience that was much broader than the film festival or vimeo audience. As a filmmaker my biggest problem is twofold - finding funding and finding distribution that gets my film seen At the moment, I think Omeleto's network and ability to promote my film not only rivals, but exceeds what's available (like Vimeo Staff Pick). They're able to help me find an audience in a way I'd never be able to do on my own. -Emily Sheskin of Girl Boxer

Working with Omeleto was very fruitful. My short Jada has over 14 million views on the channel, a type of exposure I never imagined for it. And the feedback has been tremendous. I'd love to work with you guys again. -Doug Roland of Jada

I've been grateful for Omeleto to help build me an audience as I'm starting my career. I get dozens of emails from fans a week which is enjoyable. -Jack Anderson of Wire Cutters

We could not have imagined our film "Eric & Peety" would go viral with tens of millions of views. Omeleto surpassed every other avenue in reaching viewers around the world. We were amazed and extremely pleased with the reach and the engagement in terms of comments and sharing. Since then, Omeleto has helped reach tens of millions more viewers for our subsequent three films collectively, in large part thanks to their creative efforts. It was remarkable to see how their experiments with "Josh & Scout" generated 15M views starting from the special Memorial weekend push. Beyond the impressive global reach that Omeleto brings to Mutual Rescue's films, we are pleased at how aligned we are in our desire to inspire people to take compassionate action. We know that Omeleto understands and supports what drives Mutual Rescue, and we value their goal of focusing on storytelling. We hope to expand our international audience through Omeleto, given Mutual Rescue's popularity abroad. -David Whitman of Mutual Rescue